Difference between revisions of "Disability/Participation in Cultural Life, Recreation, Leisure and Sport/Theory of Change"

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!<big>Social Impact</big>
 
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! style="background: #F08080;" |<big>Accessibility measures for public arts spaces and events</big>
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! style="background: #F08080;" |<big>Accessibility measures for public arts infrastructure, events and activities</big>
 
! style="background: #F08080;" |<big>→</big>
 
! style="background: #F08080;" |<big>→</big>
 
! rowspan="3" style="background: #F08080;" |<big>Disabled people can lead and participate in the arts</big>
 
! rowspan="3" style="background: #F08080;" |<big>Disabled people can lead and participate in the arts</big>
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=== '''Accessibility measures for public arts spaces and events → Disabled people can lead and participate in the arts''' ===
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=== '''Accessibility measures for public arts spaces, events and activities → Disabled people can lead and participate in the arts''' ===
 
* Focus here is on accessibility provisions
 
* Focus here is on accessibility provisions
 
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Revision as of 08:47, 11 March 2020

Click on each outcome in the Theory of Change to explore services, gaps and ideas.

To change anything in this page, feel free to contribute directly or to propose revisions and amendments in the Discussion page.

Theory of Change

Short-Term Outcomes(skills, knowledge, attitudes) Mid-Term Outcomes(behaviours) Long-Term Outcomes(impact) Social Impact
Accessibility measures for public arts infrastructure, events and activities Disabled people can lead and participate in the arts Persons with disabilities can take part in cutural life, recreation, leisure and sport on an equal basis with others 
Greater awareness and discourse on the relationship between disability and the arts
Opportunities for disabled people to be involved in the arts
Disabled people can lead and participate in sport

Accessibility measures for public arts spaces, events and activities → Disabled people can lead and participate in the arts

  • Focus here is on accessibility provisions
Programmes Gaps Ideas
Sign language interpretation at theatre productions is lacking
  • Highly complex and literary nature of artistic productions makes it difficult, time-consuming and costly (in terms of manpower) to prepare for play interpretations. Additionally, many local English productions provide neither subtitles nor interpreters.[1]
  • Despite the rhetoric of an inclusive society, our integration is a long way off. The majority of our theatre productions are still inaccessible to people with disabilities. Likewise, the majority of our population, including myself, has yet to understand and accept the needs of people with disabilities, and to learn how to accommodate them in daily life.[2]
Provide training and financial support for sign language interpreters to perform specialised access functions such as in the arts

Greater awareness and discourse on the relationship between disability and the arts→ Disabled people can lead and participate in the arts

  • Includes moving from instrumentalisation/pure aesthetics in the arts to disability-led arts that is generative
  • Debunking stigma, stereotypes etc.
Programmes Gaps Ideas
Annual Arts and Disability Forum/Conference by Singapore International Foundation
  • 2020 cancelled because of Covid-19 - see past iterations here
Dominant discourse maintains that art is an (instrumentalised) “service” provided to the disability community. - see commentary by Justin Lee here "Art is an important tool for reflection that helps raise critical questions about the appropriate meanings of disability. It can even be a powerful tool for research and advocacy, and even demonstrate how to achieve meaningful and authentic participation for the social inclusion of people with disabilities." - see full commentary by Justin Lee here

Opportunities for disabled people to be involved in the arts → Disabled people can lead and participate in the arts

Programmes Gaps Ideas
Very Special Theatrics
  • A partnership between Very Special Arts Singapore & ACT 3 Theatrics
  • An all-inclusive, semi-professional performing company that has persons with special needs at the core. It is also a platform for special needs and mainstream artists to train, develop, create and perform together.
Very Special Arts - Arts for Livelihood and Employment (ALIVE)
  • Aims to offer lifelong learning and career opportunities for people with disabilities, as well as equipping them with the skills and confidence that will enable them to find employment and independence.
Very Special Arts - Arts for Performance and Expression (APEX)
  • Offers a variety of courses and workshops in dance, music and drama, as well as excursions and performances
Very Special Arts - Voice of Individual’s Creative ExpressionS (VOICES)
  • Nurtures the artistic ability and talent of persons with special needs and develops them into visual artists or craftsmen or performing artistes.
  • Programme begins with confirmation of the talent and interest of the beneficiary. This is followed by enrolment into a class (i.e. Visual, Literary or Performing Art) for training and opportunity to develop skillsets further through art appreciation excursions and mentoring by a professional artist or artiste.
Very Special Arts - Arts in Learning, Rehabilitation and Training (ALERT)
  • Encompasses a wide range of art programmes for people with disabilities of all ages to ensure a bridge for interaction, self-development and expression
  • Includes: Special Art Class, School Holiday Programmes and Art Competition
Non-recurring programmes and opportunities? (Past/present)